Seams of Repair
Stephanie Green
“… an involving exploration of affection, solitude, travel and the tender intricacies of human connection … nuanced poems in which the fractures of experience are exquisitely sutured by words.”
– Paul Hetherington, Professor Emeritus, University of Canberra
-
Loss can’t be measured by numbers – the people you once belonged to, the floorboards of a house that was once a home, or the hours you travelled to get away. Although you try to count the possessions you couldn’t keep or the number of steps from the street to the door, zero is the only answer you ever get. But this year you find the pieces of that old pottery bowl, pushed to the back of a cupboard, long thought too broken for repair. Four odd-shaped pieces that still fit with each other. Maybe you never tried to put them together, after the fall. Maybe then you saw only wastage. But now you hold each piece in place, your fingers carefully spread, one by one, tracing the edges with gold-flecked glue. If there was once breakage, now there is more than repair. Fragments bound in beauty, measured only by what was lived and can be transformed.
-
A line of smoke above the chimney and an empty glass, unsteady at midnight, ready to count the rainy hours till dawn. Water everywhere harrowing ground. If you put words on paper in this weather they’d run down the margins and out of the house. Away. Altogether. Lost. Leaving only the smell of burnt sausages in the kitchen and a stale loaf of bread. So, instead, you’re waiting for the paleness of sky beyond the gate you refuse to open, remembering Mozart and marzipan chocolates. A red paper flower reduced by rain. Coffee spilt on the night table. A gritty residue. That too sweet sensation on the tongue. Words you want to spit out. The creeping patina of sadness and regret. Rinse with sweet water. Take the bridge over the litany of the stream. Listen to the singers standing in the dark. Watch the burnished glow until the hush and sweep of the great wooden door renders sleep. Latch it softly as you leave.
-
On my way to you
a man brings flowers to a departing friend
as they smile into each other’s eyes.
Sweet peas and roses sweeten diesel and brine.
I look away, to the hillside, its patterned houses,
blue sheets and white towels pixelate against a crimson wall
rectangles becoming triangles becoming squares
as dark trees scatter in disarray.
The rim of the hill fades and brightens under the breaking sky.
A pair of socks flaps up and down like train signals on the line.
And here are the nuns hurrying to catch the boat
in their white habits and fluttering veils,
each one carrying a small black case
for whatever else they live by.
Once, you threw a ball into the pool.
The swimmers, all striving to reach it,
churned the blue water to white.
Nothing stays forever still, not even memories.
You never lit candles or brought flowers for me,
but sometimes you carry home small loaves
fresh from the baker and the cheeses
you know I like,
and we lay them out on the table
in a pattern of our own making.
Presence & absence: Matt Hetherington reviews ‘Seams of Repair’ by Stephanie Green in Rochford Street Review, May 2024
Given the nature of events here and overseas in the last half-decade, it’s not too surprising that so much recent literature has been centered around themes of loss, grieving, and healing. Seams of Repair would seem to be part of this tendency, and its title (as well as its cover) points to the power of restoration, where the mending of breakage is reliant on the strength of its craft. It is a work which gently yet repeatedly reminds us that such artfulness is also re-pairing: a joining of two distinct entities, whether they be the parent with child, the lover with the absent partner, or even the author with the necessary reader.
Exactly half of the book’s forty pages of poetry contain prose poems, two of which bookend the work with a kind of open negativity: the opening phrase being “Loss can’t be measured by numbers”, and the final line being “Any conflict or breakdown presents an opportunity, a warning to continue without pause.” Here we discover yet again two of the essential tropes of modern poetry: nothingness and infinity. While the last line certainly occurs in the context of playful – though understandably somewhat
Click on the tab below to read the full review published in Rochford Street Review.
‘Seams of Repair’ reviewed by Cassandra Atherton in Stylus Lit, March 2024
Seams of Repair is a captivating collection of lineated poetry and prose poetry that write into ‘the lacuna that grief brings’ (‘Residue’). Dedicated to Stephanie Green’s grandmother, ‘who understood why words matter’, Seams of Repair provides a lyrical lexicon of intimacies, giving priority to the demotic and quotidian in impressive moments of sehnsucht. The collection’s focus on the interplay and unfolding of language demonstrates Green’s passion for quiet nuance and striking visual imagery in stark expressions of desire and absence.
The foreword to the volume elaborates on Green’s book title by explaining that her use of the word ‘seams’ refers to ‘the art of ceramic repair known as “gold mending” or Kintsukuroi, where gold-coloured lacquer was used to mend or seal an object.’ Many poets have used kintsugi for inspiration and, indeed, there is an eloquent prose poem by . . .
Click on the tab below to read the full review published in Stylus Lit.
Stephanie Green
Stephanie Green lives and writes on the lands of the Yugambeh/Kombumerri peoples.
She has published short fiction, poetry and creative non-fiction essays in Australian and international journals, most recently Meniscus, Burrow, StylusLit, Text, Axon and Live Encounters, and in recent anthologies.
Stephanie released a collection of prose poems, Breathing in Stormy Seasons, in 2019 with Recent Work Press.
A selection of her short fiction, Too Much Too Soon, was published by Pandanus Press in 2006.
She has worked as a freelance reviewer, cook, teacher, arts administrator, publisher and university lecturer.
Stephanie is currently an Adjunct Senior Lecturer with Griffith University.