Seams of Repair

Stephanie Green

“… an involving exploration of affection, solitude, travel and the tender intricacies of human connection … nuanced poems in which the fractures of experience are exquisitely sutured by words.”

– Paul Hetherington, Professor Emeritus, University of Canberra

Presence & absence: Matt Hetherington reviews ‘Seams of Repair’ by Stephanie Green in Rochford Street Review, May 2024

Given the nature of events here and overseas in the last half-decade, it’s not too surprising that so much recent literature has been centered around themes of loss, grieving, and healing. Seams of Repair would seem to be part of this tendency, and its title (as well as its cover) points to the power of restoration, where the mending of breakage is reliant on the strength of its craft. It is a work which gently yet repeatedly reminds us that such artfulness is also re-pairing: a joining of two distinct entities, whether they be the parent with child, the lover with the absent partner, or even the author with the necessary reader.

Exactly half of the book’s forty pages of poetry contain prose poems, two of which bookend the work with a kind of open negativity: the opening phrase being “Loss can’t be measured by numbers”, and the final line being “Any conflict or breakdown presents an opportunity, a warning to continue without pause.” Here we discover yet again two of the essential tropes of modern poetry: nothingness and infinity. While the last line certainly occurs in the context of playful – though understandably somewhat

Click on the tab below to read the full review published in Rochford Street Review.

‘Seams of Repair’ reviewed by Cassandra Atherton in Stylus Lit, March 2024

Seams of Repair is a captivating collection of lineated poetry and prose poetry that write into ‘the lacuna that grief brings’ (‘Residue’). Dedicated to Stephanie Green’s grandmother, ‘who understood why words matter’, Seams of Repair provides a lyrical lexicon of intimacies, giving priority to the demotic and quotidian in impressive moments of sehnsucht. The collection’s focus on the interplay and unfolding of language demonstrates Green’s passion for quiet nuance and striking visual imagery in stark expressions of desire and absence. 

The foreword to the volume elaborates on Green’s book title by explaining that her use of the word ‘seams’ refers to ‘the art of ceramic repair known as “gold mending” or Kintsukuroi, where gold-coloured lacquer was used to mend or seal an object.’ Many poets have used kintsugi for inspiration and, indeed, there is an eloquent prose poem by . . .

Click on the tab below to read the full review published in Stylus Lit.

Stephanie Green

Stephanie Green lives and writes on the lands of the Yugambeh/Kombumerri peoples.

She has published short fiction, poetry and creative non-fiction essays in Australian and international journals, most recently Meniscus, Burrow, StylusLit, Text, Axon and Live Encounters, and in recent anthologies.

Stephanie released a collection of prose poems, Breathing in Stormy Seasons, in 2019 with Recent Work Press.

A selection of her short fiction, Too Much Too Soon, was published by Pandanus Press in 2006.

She has worked as a freelance reviewer, cook, teacher, arts administrator, publisher and university lecturer.

Stephanie is currently an Adjunct Senior Lecturer with Griffith University.